WEST
OAKLAND
SOUND
SERIES
a weekly new music and experimental sound series every sunday
presented by new performance traditions and sfSound
DRESHER ENSEMBLE STUDIO
2201 poplar street :: oakland ca
ample parking! please park perpendicular when past the trees on poplar
$20 (FREE for students/underemployed)
cash & venmo accepted at door - order advance here
concerts start promptly at 7:30
:: late arrivals follow instructions on door to get buzzed in ::
October 4 2026 7:30pm
$20 click here to purchase advance tickets online
(FREE for students/underemployed)
JAMES FEI
MATT DAVIGNON
LEAKING
(JAY KORBER, FRED LONBERG-HOLM, BRIAN PEDERSEN)
JAMES FEI performs his The Nerve Meter, where microphones distributed in the performance space are connected to two Frequency Shifters and fed back through loudspeakers. During the course of the performance, the output of the Frequency Shifters increasingly modulate each other, creating inherently unstable patterns that are dependent on interactions of the electronics as well as the acoustics of the room.
MATT DAVIGNON performs on the Boss DR-770 drum machine—the core instrument behind most of his music over the past two decades. Davignon will exploit the device's internal sounds and tools to build complex ever-changing musical passages, without his usual pedal effects and looping devices.
What happens when three stalwarts of the Bay Area improvised/noise/jazz/rock/ experimental scene collide in real time? Find out when LEAKING'S atmospheric river of sound hits the Dresher studio. Members Jay Korber (drums), Fred Lonberg-Holm (cello) and Brian Pedersen (sax) have worked with groups ranging from Nine Dog Dick, the Peter Brotzmann 10tet, Key West, Ettrick, Zeek Sheck, Fistortion, Burmese, The Flying Luttenbachers, Elf Ass. They’ve been playing as a trio for over a year now and so far… it’s been a blast.



October 11 2026 7:30pm
$20 click here to purchase advance tickets online
(FREE for students/underemployed)
JAAP BLONK performs his own compositions, improvisations, and historical sound poems. Blonk (born 1953 in Woerden, Netherlands) is a self-taught composer, performer, poet and visual artist. His unfinished studies in mathematics and musicology mainly created a penchant for activities in a Dada vein, as did several unsuccessful jobs in offices and other well-organized systems. In the early 1980s he discovered the power and flexibility of his voice, and set out on a long-term research of phonetics and the possibilities of the human voice. At present, he has developed into a specialist in the creation and performance of sound poetry and a unique vocal improviser, supported by a powerful and uninhibited stage presence. He has performed and taught around the world, on all continents. With the use of live electronics and sometimes projection of visuals the scope and range of his concerts has acquired a considerable extension.
Blonk’s recorded / published output comprises some 75 titles: CDs, vinyl, cassettes and books. From his sound poetry scores he developed an independent body of visual work, also supported by his renewed interest in mathematical procedures. It has been exhibited in various countries, and selections have been collected in books by publishers in North and South America and various European countries.
ECHO'S BONES woodwind trio plays avant pastoral improvised music. Their music develops from the combined timbres of three different acoustic woodwind instruments blending, diverging and conversing and incorporates numerous musical traditions in free improvisational performances. Amber Lamprecht: oboe, English horn; Sheldon Brown: clarinet, bass clarinet; Joseph Noble: flute, alto flute, bass flute, bamboo flutes.


October 18 2026 7:30pm
$20 click here to purchase advance tickets online
(FREE for students/underemployed)
music by MORTON FELDMAN
JARED REDMOND
OAKLAND REDUCTIONIST ORCHESTRA
Pianist-composer JARED REDMOND performs MORTON FELDMAN'S 1981 masterpiece Triadic Memories for piano solo. Described by the composer as "the biggest butterfly in captivity", Triadic Memories typifies Feldman's late style: a dreamlike work woven of hypnotically shifting, mosaic-like patterns, unrelentingly fragile and quiet, and of great length. Influenced deeply by the abstract visual art of his time, Feldman uses resonance, repetition, and register as colors, and speaks of the influence of painter Cy Twombly, whose gesso brushwork inspired Feldman to "smudge" the music's hypnotizing harmonies into "a kind of precarious rainbow".
oakland reductionist orchestra performs a their own interpretation of MORTON FELDMAN'S Intersection #1 (1951).

October 25 2026 7:30pm
$20 click here to purchase advance tickets online
(FREE for students/underemployed)
OCHS + DAVIS + JOHNSTON + MEZZACAPPA
DJLL + HEGLIN + STACKPOLE
