a weekly new music and experimental sound series every sunday
presented by new performance traditions and sfSound
DRESHER ENSEMBLE STUDIO
2201 poplar street :: oakland ca
ample parking! please park perpendicular when past the trees on poplar
$20 (FREE for students/underemployed)
cash & venmo accepted at door - order advance here
concerts start promptly at 7:30
:: late arrivals follow instructions on door to get buzzed in ::
November 15 2026 7:30pm
$20 click here to purchase advance tickets online
(FREE for students/underemployed)
BEN GOLDBERG + MYRA MELFORD + MAT MUNTZ - Semi-orthogonal linear and non-linear pseudomellifluous quasisoliloquy, autobiographical and otherwise. when you are aiming for the heart of the matter, it doesn't matter where you start.
JULIA EDITH RIGBY is a composer, improvisor and sound artist based in Santa Ana, California. She presents a concert work that blends piano, viola, and field recordings to explore sea caves and infrasonic worlds, and the ways that they can expand and entangle our thinking about ritual and breathing, listening and resonance, deep time and sense of place. Rigby will create musical soundscapes that explore ancient landscapes, opening our ears and minds to experimental listening, planetary histories and our place in time.

November 22 2026 7:30pm
$20 click here to purchase advance tickets online
(FREE for students/underemployed)
BRISTLE, the Northern California based sax-and-strings-fueled chamber jazz quartet of RANDY MCKEAN, CORY WRIGHT, MURRAY CAMPBELL, and LISA MEZZACAPPA, channels the individual virtuosity of its members into intricate group interactions that blur the line between composition and cooperative game strategies. Formed in 2009, Bristle has performed at the Stone NYC and toured throughout California and the Pacific Northwest, from Seattle to Bakersfield, bringing their Art Ensemble meets Kronos Quartet sound to the SF Bay Area’s Garden of Memory and West Oakland Sound Series, Sacramento’s In the Flow Festival and the California Gold Country’s Col. MaCaw’s Magical Cure-All. Their music, called “fun and thought-provoking” (Memory Select), and full of “shrewd harmonic twists” (Downtown Music Gallery), is featured on their CDs Bulletproof (Edgetone, 2012), Future(s) Now(s) (Queen Bee, 2014) (named one of the Top California Jazz Releases of 2014 by KQED) and their Fluxx-like choose-your-own-adventure offering Archimera (Queen Bee, 2025). For this appearance at the West Oakland Sound Series, Bristle will feature the latest compositions from McKean and Wright, expanding its palette of winds to include the EEB contralto clarinet, bass flute, and cor anglais. They are currently working on a new recording, due for a 2027 release.
LENNY GONZALEZ (guitar, electronics) and ERIK ELLESTAD (sax, electronics) draw on the deep vocabulary of improvised music - free jazz, noise, extended technique, musique concrète, etc… - they play with the intention of being present and making a space to sonically describe who they are and what they are feeling in the moment. They released their first album, with a K, with a Z, in 2025. Available on Bandcamp


November 29 2026 7:30pm
$20 click here to purchase advance tickets online
(FREE for students/underemployed)
WE MICROMANAGE INFINITY: Absorbed in modular synth tangles, software snarls, and engrossed with toy noisemakers and birdcalls, audience eye contact can be hard to come by when this supertrio of BLEVIN BLECTUM, JAMES GOODE and THOMAS DIMUZIO take the stage. There's no time for guitarface or elvis presley moves when you are fine tuning minutae of the infinite miasma. Humans are not mimetic, as the paypal antichrist preaches to his brownshirts. No, we are strapped into the multiverse, inimitable puppets of fate that can only be steered by simulataneous tugs on our innumerable attachments. It's down to us, we storm-tossed action figures of flesh and juice, to thrash, dance, kung fu grip, and scream ourselves into that tangle, even as we stare into the impassive face of three micromanaging furies. Like all beauty, it's grim.
HUMMINGBIRD: EVELYN DAVIS (piano), JORDAN GLENN (drums), PHILLIP GREENLIEF (saxophone, clarinet). mummingbirds exist in north coast indigenous legends as healers, or a spirit that helps people in need. they often occupy the role of fire bringer. these elements seem ideal when considering what music can offer an audience; this trio endeavors to achieve these aims in performance. in order to heal, the mind needs to shut the fuck up, and in western medicine, drugs are often used to achieve this. in general, music is better for the body, than drugs. listening is better when the voice is disengaged, so come out, turn off the voice and get some good medicine.

